While Mortals Sleep: Unpublished Short Fiction Review

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While Mortals Sleep: Unpublished Short Fiction ReviewKurt Vonnegut died in the early part of the twenty-first century, but he belonged to the twentieth century. He could have easily died in that conflict that split the century in two; he could have perished in the flames and rubble of Dresden. He didn't, and American culture is better for it. It is better in the same way that American culture of the nineteenth century is better because a young Confederate soldier lived through that conflict that split the country in two - young Samuel Clemens.
I have always maintained the parallel between the two men. They were writers, yes. But they were more than writers. They represented the slanted moral voice that could laugh at itself and the culture. These voices were in earnest though; they lacked the facile surface-grazing of the postmodern condition. They speak a truth where writers are afraid to talk about whether you can even capitalize that `t' now.
Kurt Vonnegut died, and his was the only celebrity death I have mourned in a long time. I had long been meaning to make a pilgrimage to his neighborhood. I wanted to intercept him on the street as he walked to the post office or the local bodega to buy his cigarettes. I wanted to stop him and just say "Thank you".
Vonnegut died and left a hole in the soul of America, but he lives on. Thankfully he was prolific and lived long. There have now been three books published since his death. These books are different, but they all show why I love Kurt Vonnegut.
First published was a book of the older stuff, work for websites and highlights of his art. We were able to see the full fruit and flower of a life that spanned an eventful century. Then they put out a collection of his earlier work, including the germ of the story that became _Slaughterhouse-V_.
Now we have this collection, _While Mortals Sleep_. Eggers, in the introduction, points out that these stories are somewhat formulaic and emblematic of the middle-brow conventions of a time where middle-brow magazines published fiction. This collection is not _Dubliners_, but it doesn't need to be. We see the human, antic voice develop in this somewhat uneven batch of stories. I am glad I read it, but I am biased. I would read this man's old grocery lists - and if we wait long enough, they just might be released in hardback.
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