Showing posts with label bad girls. Show all posts
Showing posts with label bad girls. Show all posts

Candy Licker: An Urban Erotic Tale Review

Candy Licker: An Urban Erotic Tale
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Candy Licker: An Urban Erotic Tale ReviewSexy Candy Raye Montana has always dreamed of having a singing career. Candy and her friends Dominica and Vonzelle form the group Scandalous! and get signed to shady music producer Junius "Hurricane" Jackson's number one urban label The House of Homicide. The girls are well on their way to becoming the next TLC or Destiny's Child but how much are they willing to pay for superstar status? Dominica is a true friend to Candy but becomes increasingly suspicious when Vonzelle becomes distant. Candy knows that Hurricane (a.k.a. Cane) is a talented producer but when she becomes his wifey she finds out just how sadistic and possessive he is. To top things off, Cane is a complete disaster in the bedroom. Candy finds herself feeling scared and sexually frustrated. She has to decide just how much of herself she is willing to give up for fame and fortune. Candy better make the right choice because the wrong one could turn deadly. Knowledge is Cane's personal attorney and business manager, but he has his own plans to get out of the game. One of those plans includes getting a taste of Candy. Will Candy see what Knowledge has to offer?
Candy Licker is an extraordinary novel by Noire. Noire skillfully mixes gritty, in-your-face urban drama with a healthy dose of raw sexuality. I really loved the shady music business storyline. The scenes are so descriptive that you'll feel like you're signed to The House of Homicide. Candy Licker gives you a voyeuristic view into the music industry. Noire created characters that are raw and real. She pulled no punches with this story. Be it graphic sex or violence, Noire took both of those aspects to the extreme. This story is not a fairytale and not for the faint of heart. Candy Licker is gripping, action-packed, and entertaining. Candy Licker proves that Noire is a force to be reckoned within the urban erotic genre.
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Blueprints for Building Better Girls: Fiction Review

Blueprints for Building Better Girls: Fiction
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Blueprints for Building Better Girls: Fiction ReviewWhat Elissa Schappell calls the blueprints of girls might also be called anatomies or inner workings. This collection of eight stories delves into teenhood, womanhood, wifehood and motherhood, from the late '70s into today, in order to understand the condition of being female and Gen X. Loosely linked through characters and circumstance, each story takes as its subject a woman in a different stage of life, whether it's college discoveries of self or a mother who still needs to coddle her grown daughter.
The strength in many of Schappell's stories is that her protagonists are never outwardly apologetic about who they are, even if they might have internal struggles with their identities. As a result, they feel real, not like they're trying too hard to be perfect young women. And yet they acknowledge their unconventionality. In "Monsters of the Deep," Heather is perfectly fine having sex with Ross if that's what he wishes; she would just like the television on in the background, please. Paige and Charlotte, in "Elephant," gravitate towards each other precisely because they know they're not as perfect as the other moms at the playground. And Kate of "A Dog Story" is less than certain about whether she's reacting to her miscarriage in the appropriate way.
Two of the strongest stories in BLUEPRINTS FOR BUILDING BETTER GIRLS are "The Joy of Cooking" and "Aren't You Dead Yet?" The former is first surprising in its protagonist --- the narrator, referred to only as Mommy, is at once sad, regretful and dismissive, and the story is a powerful representation of what happens to familial relationships as children grow older. Beth/Lizzie/B of "Aren't You Dead Yet?" is similarly self-reflective but callous. It's an excellent depiction of how a writer gets her ideas. Where would any short story collection be without one of those?
These are all different women, though many of them know each other. The common thread is in Schappell's own voice, which comes strongly through in each narrative as an introverted, intuitive, smarter-than-she-appears protagonist. Though that distinct voice is a strength of her writing overall, it also serves to weaken the collection, as it's hard to distinguish between narrators as you jump from story to story. When every protagonist is gifted at astute observations about others, and when every protagonist is self-aware almost to a fault, it's hard to believe that they could all have such different experiences.
Schappell is clearly playing with the currently oft-used trope of seemingly disparate stories that slowly reveal a thread of "Oh, they're all connected!", but she does it in a far less annoying or obvious way than other writers or filmmakers have done. These stories are linked because the human experience is linked; what happens in one person's life can influence the choices made by another. This is a well-written addition to the canon of current literary short fiction. Nothing is radical or particularly new in BLUEPRINTS, but it's very good fiction; for a lover of stories, that should be enough.
--- Reviewed by Sarah Hannah Gómez
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