Showing posts with label communism. Show all posts
Showing posts with label communism. Show all posts

Liberalism: A Counter-History Review

Liberalism: A Counter-History
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Liberalism: A Counter-History ReviewDomenico Losurdo's "Liberalism: A Counter-History" is a brilliant and engaging exposé of the real history of liberalism as an ideology, in contradistinction to the hagiographical and justificatory self-descriptions that liberals usually give to it. Almost all systematic histories of liberalism and liberal thought have been written by liberals or its sympathizers, and therefore Losurdo's critical narrative is a welcome antidote to this in every sense Whiggish approach. Losurdo proceeds largely chronologically, but there is a clear thematic structure to the book. Using the writings of impeccably liberal sources and many of the most famous founders of liberal thought, from Burke and Locke to Jefferson and De Tocqueville, he shows how liberalism's self-perception and self-presentation as the politics of freedom was undermined time and again by its reliance on the suppression of 'inferiors'. In order to realize the freedom of the liberals, black slaves, women, the working class, and so forth all had to give way; the freedom of the liberal classes was always founded on the exploitation of others. Only when the gentry and the merchant classes were freed of the need to do manual labor and were guaranteed their position as rulers of society could they defend the liberty liberalism promised against the absolute and arbitrary power of monarchs, clergy, and other traditional opponents. In fact, as Losurdo shows by analyzing the writings of US Vice President and ideologue of the Confederacy John C. Calhoun, the stronger the oppression by the liberal class of their 'inferiors', the more they saw themselves as the ultimate defenders of human liberty and the more jealously they guarded their privileges against the dangers of oppressive government. In this sense, liberalism appears more than anything as the ideology of the middle layer, precisely as it was in historical reality: its purpose is to shield from the powers above it, and to keep down the people below it.
Of course, Losurdo is well aware that liberalism took on various forms, and he carefully if not always very explicitly shows the different strands of liberal ideology throughout time. He essentially identifies three main currents in liberal thought before 1848: a conservative strand, represented by the likes of Burke and Locke, which intended to maintain the traditional structure of society but opposed the absolutism of the monarchy on behalf of the merchant class, and which had no sympathy even for bourgeois revolution along the lines of the American and the French. The second strand was the 'moderate' one, which perhaps is better called the reforming one, represented by many abolitionist thinkers as well as people like Adam Smith, Benjamin Constant and Immanuel Kant. This group sought to abolish the feudal privileges previously inhering in society and wishes to extend the liberal conception of freedom to all. However, it was consistently unable to rhyme its desire for the extension of liberty in any meaningful sense to humanity without being confronted with the problem of inequality of property, most completely expressed in the oppression of colonial peoples, the working classes in the metropole, and servants. It could not resolve this problem without breaking the boundaries of liberal thought and turning against the class it represented, and this the liberal reformers, even J.S. Mill, were unwilling to do. Each time they came up against this barrier, they fell back and retreated to the safer terrain of the conservative position - as exemplified by Constant's opposition to abolishing the property requirement for suffrage, Mill's enthusiasm for colonialism, and so forth. The racism and hypocrisy required of the reformers to maintain their position in society while preaching the gospel of freedom was not, as Losurdo shows, much different to that of the 'liberal' defenders of slavery and the Confederacy in kind; perhaps only in degree.
The third trend, a very small one, is the trend of what Losurdo calls the radicals. These were the ones that did seek to make such a break with established society and having recognized the limitations of liberal thought as a social phenomenon were willing to criticize the order of society as such, not just call for liberty within it. Before 1848, these could not easily be called socialists, and instead we find them in the ranks of radical Enlightenment thinkers such as Denis Diderot and Thomas Paine. But Losurdo traces the development of socialism as a competitor of liberalism to its origins in this wing of liberalism, what used to be called 'Bourgeois Radicalism', and he is probably correct in doing so. Only this group was willing to question the received order of society fundamentally, not just from the interest of the middle class against the aristocracy and monarchical power. Only this group was willing to re-imagine society afresh and to criticize oppression wherever they saw it. But even this group did not yet reach the understanding of socialism: they did not see oppression in many cases where it existed, not just the oppression of other races and of women, but also the genocidal policies implemented in colonization and settlerism in the name of the spread of freedom and civilisation. Challenging and uprooting the causes of these phenomena was to be the task of socialism, as was the development of a historical understanding which in the first place allows ideologies such as liberalism to be traced to their political-economic interests and vantage point within a given society. But without liberalism paving the way, this could not have been done.
It is important therefore to keep in mind that this excellent work is first and foremost a work in the history of ideas, not a political critique. It is precisely as the title says a counter-history: a real history of liberalism and its great thinkers and the way in which liberalism has always relied on the exploitation and exclusion of groups outside its great realm of liberty to prosper. Importantly, it also does away with the mythology of liberalism as a self-repairing phenomenon. Most current-day liberal philosophers would gladly admit to the errors of the past, but these are always reinterpreted as being inherently part of liberalism's supposed amazing ability to overcome its own flaws and move forward; ironically, an almost dialectical self-analysis. But Domenico Losurdo tells the story more realistically: for most of the great liberal thinkers, the exclusionary aspects of their thought were not just flaws or personal prejudices, but were in fact inherent and essential parts of their worldview, and they knew full well that such exclusion was absolutely necessary to maintain the order that liberalism was invented to defend in the first place. The racist and genocidal aspects of liberalism are no mere mistake or an idiosyncrasy of a particular time and place, as a sort of liberal counterpart to the Moscow Trials. They were 'working as intended', and that is precisely what socialism originated to critique. As Losurdo reminds us, in a time when liberalism has once again become the ruling ideology and looks on its past with increasingly warm feelings (viz. Niall Ferguson), that critique is more needed than ever.Liberalism: A Counter-History Overview

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Everything Flows (New York Review Books Classics) Review

Everything Flows (New York Review Books Classics)
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Everything Flows (New York Review Books Classics) ReviewI shared all this with my own people
There, where misfortune had abandoned us."
Anna Akhmatova's Requiem
If Life and Fate (New York Review Books Classics) may rightfully be seen as Vasily Grossman's masterpiece, his Everything Flows may rightfully be seen as his testament, a requiem if you will not only for his own life but for the lives of those who lived in his time and place.
"Everything Flows" tells a simple, yet emotionally deep and politically nuanced tale. The story begins with the 1957 return to Moscow of Ivan Grigoryevich after 30 years of forced labor in the Gulag. 1957 marked the year, following Khrushchev's denunciation of the excesses of Stalin, in which the tide of prisoners returning from the Gulag reached its peak. He arrives at the Moscow flat of his cousin Nikolay. Nikolay, a scientist with less than stellar skills, has reached some measure of success at the laboratory through dint of being a survivor. The meeting in the flat is entirely unsatisfactory for both parties. Grossman paints a vivid picture of Nikolay, more than a bit jealous that Ivan's light had always shone brighter than his own prior to Ivan's arrest. Nikolay suffers from the guilt of one who was not arrested and who is painfully aware of the choices he made to keep from being arrested. It seems clear that Ivan represents a mirror into which Nikolay can see only his own hollow reflection.
Ivan leaves Moscow for his old city of Leningrad, the place where he was first arrested in 1927. By chance, he runs into the person, Pinegin, whose denunciation placed him in jail in the first place. Once again, Ivan is a mirror and Pinegin is horrified at what he is faced with, what he has buried for thirty years. Ironically, and to great effect, we see Pinegin's horror recede once he settles down to a sumptuous lunch at a restaurant reserved for foreigners and party officials. Ivan does not know about the denunciation and Grossman here embarks on a discourse on the different types and forms of denunciation available to the Soviet citizen. It is a remarkable discourse that shows how many different ways there are to participate in a purge and how many ways there are to legitimize ones participation and/or acquiescence.
From Leningrad Ivan travels to a southern industrial city where he finds work and eventually finds a deep and satisfying love in the person of his landlady Anna. The centerpiece of that relationship is the brutal honesty involved; Anna spends a night detailing her role in the pointless, needless famine that swept the Ukraine in 1932-1933. It is an account made even more chilling by the straightforward, confessional nature of its telling. But it is also redemptive and shines a light on what might be called Grossman's vision that love and freedom are two goals, not mutually exclusive, that an honest accounting of our lives forms the essence of our shared humanity.
The above summary does not do justice to the power of Grossman's prose or to the literary and political importance of the work. Since the death of Stalin, the Soviet line had remained relatively firm - Stalin's excesses were the product of a disturbed mind that represented a horrible deviation from the theory and principles of Leninism. The USSR's best path was the one that returned it to the path created by Lenin. Khrushchev first enunciated this line. Even Gorbachev's perestroika was based on the theory that a return to first-principles, i.e. Leninism, would save the USSR from destruction.
Grossman, prophetically, did not buy into this line and Everything Flows'last chapters are notable for a remarkable attack not only on Stalin but on Lenin and Lenin's anti-democratic tendencies that had more in common with Ivan the Terrible than the principles of revolutionary democracy. "All the triumphs of Party and State were bound up with the name of Lenin. But all the cruelty inflicted on the nation also lay - tragically - on Lenin's shoulders." Grossman may have been the first to make this leap and he paid the price for making that leap. (This involves the suppression of his Life & Fate and Everything Flows.) Grossman's explicit claim that Stalin was not a deviationist from Leninism but its natural-born progeny was profoundly subversive and there is no doubt in my mind that it was this difference that explains why, under Khruschev's 'thaw', that One Day in the Life of Ivan Denisovich was publishe while Life and Fate and Everything Flows was banned.
Despite the horrors set out, quietly and without excess rhetoric, Grossman returns to a somewhat optimistic vision of mans search for freedom: "No matter how mighty the empire, all this is only mist and fog and, as such, will be blown away. Only one true force remains; only one true force continues to evolve and live; and this force is liberty. To a man, to live means to be free."
Robert Chandler's translation of Everything Flows is exquisite. He brings the same clarity and emotional investment in Grossman's work that he brought to his prize-winning translations of Platonov and Hamid Ismailov's The Railway. In short, Everything Flows is a treasure and I cannot recommend this book highly enough. L. Fleisig
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The Russian Concubine Review

The Russian Concubine
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The Russian Concubine ReviewKate Furnivall has captured the Russian soul, the Chinese soul, the English soul and my own soul. I was torn between wanting to read it slowly so it would never end and wanting to finish it because of too much suspense. The characters are unforgettable. The history is researched and fascinating. Kate's own mother was a White Russian refugee in China so no wonder she had such an advantage in getting everything so authentic. One has to read this with reverence for the Chinese people. This is the first time I have ever really understood the motivations of the Chinese Communists.
I have never read a novel in which so much suffering could be intertwined with so much love, courage and joy. It wasn't only the suffering and joys of the main character, Lydia, but of all the characters which made it a joy to read. They were all complex characters and therefore came alive and believable at the skillful hands of this wonderful novelist.
Whether it is the opium trade or Sun Yet San or Chiang Kai Shek, Ms. Furnival gets it all just right.
Please let this be a best seller and let there be a sequel. I can't say goodbye to Chang and Lydia and Albert and the rest of them.
Here is a warning, but not a spoiler: It is full of surprises.The Russian Concubine Overview

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