Showing posts with label demonic possession. Show all posts
Showing posts with label demonic possession. Show all posts

Hostage to the Devil: The Possession and Exorcism of Five Contemporary Americans Review

Hostage to the Devil: The Possession and Exorcism of Five Contemporary Americans
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Hostage to the Devil: The Possession and Exorcism of Five Contemporary Americans ReviewA Masterpiece of Spiritual Insight by a Masterful Writer and Priest, October 27, 2005
Reviewer:Rick (Beijing, China) - See all my reviewsFirst, a confession: I am on the verge of becoming a member of that nearly lost legion--the reborn Roman Catholic. Second, a minor revelation: this book brought me back to the Faith. Rather than scare the reader into submission to the Will of God, Father Martin stirs one's dormant and perhaps deeply buried awareness of what is altogether pure and holy and ultimately victorious in the seemingly eternal struggle between Good and Evil. In an age of jaded youth media culture, comedians and pundits who relish in their cynicism, and unabated Hollywood hedonism, it is a breath of fresh air after the rain to read and ponder on Martin's accounts of personal travail and utter spiritual anguish.
This is not an "easy read;" it requires concentration and an appreciation for intricate prose style. In five lengthy and detailed case studies, written in stirring narrative style, the author carefully chronicles the slow descent of otherwise unusually clever, sensitive, and gifted people into the pit of demonic possession. Father Martin does not sensationalize, nor does he intend to appeal to the reader's emotions. Nor does he harangue or cajole or attempt to make us feel guilty. Instead, his very sure hand and deft writing leads us to realize that whether we wish to confront it or not, evil and its dark kingdom of demons thrives in this soiled earthly domain, guised and cunning but here nonetheless.
Some have attempted since the untimely death of the author to dismiss him as a fraud or, worse yet, one possessed himself. He has been variously branded an adulterer and hypocrite by his detractors and depicted as something of a pariah in his own Church. Martin, however, despite any human frailities, led the truly elusive Examined Life. He intimately understood the workings of the Church and its leadership in the Vatican, and was for some time a participant in some of its most important proceedings. Moreover, the author was granted permission to leave the Jesuits
by the then Pope and to pursue a more worldly path of literary exploration which led him to the conservative side of his Faith. This conversion, as it were, put him at variance with the popular surge toward greater secularism in the Church following the Second Vatican Council. And the discerning reader of those negative reviews posted here would do well to read the eulogy by Father Fiore, a longtime friend, and to consider Martin's book within the period in which it was originally published.
When the mainstream media plunged into a pseudo-psychological exploration of exorcism following the box office success of the screen adaptation of Blatty's novel, "The Exorcist," Martin attempted to set the record straight--or at least very sober. The resulting work, this book, enabled the actual records (including taped recordings and extensive interviews) to come to the fore, albeit in flourishes of paraphrase, the handiwork of a master storyteller in the best sense of that word.
Yes, Father Martin ascends the pulpit from time to time in this book but not during the course of the retelling of the events of those who became possessed. He reserves personal commentary for the introductory and concluding chapters, where his prose is at its most eloquent and impassioned.
If you read this book with an open mind and heart, regardless of whether you are Christian or, more narrowly, Catholic, you will at least discover why so many parishioners wholeheartedly believe that we are literally in a fight for our lives or, more accurately, our souls.
In his lifetime, Father Martin was hounded by celebrity-seekers, including women who attempted to frame him; he was also an object of ridicule within the extremely liberal fringe of the Jesuits, about whom he had written a scathing indictment. And he was scorned in much of the leftist British press, inclined to take an anti-Irish, and hence anti-Catholic, stance in its reportage on the author, including a would-be obituary in The Guardian. Beware, too, those who claim that reading this book is a sinful indulgence and a twisted tinkering with the satanic. Far from it: "Hostage to the Devil" is spiritually fulfilling and uplifting. The hostage the devil seeks is not the perfectly possessed or those vulnerable to his tricks and deceits but the very priests who, like Martin, risk life and limb and sometimes faith to wrestle with him.
Never have I read such a compelling account of spiritual odyssey and perhaps you will feel the same. Buy it to own and read and reread and contemplate in all the precious years ahead.
Hostage to the Devil: The Possession and Exorcism of Five Contemporary Americans Overview

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The Exorcist Review

The Exorcist
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The Exorcist ReviewWilliam Peter Blatty's seminal novel of demonic possession took the nation and much of the world by storm when it was published in 1971, and the movie adaptation of The Exorcist ranks as one of the most famous horror movies of all time. Many, many readers over the years have described it as a quite unsettling if not frightening read; I envy these people because I didn't find the book at all shocking or scary. I was actually more affected by the inner turmoil of Father Karras than anything else. His doubts over his own faith, the horrible guilt he feels for having left his aged mother alone when he became a Jesuit priest, and some of his scattered sad childhood memories make of him a philosophical, sentimental character who serves as the main liaison between the reader and the events of the novel. What we see through Father Karras' eyes is a complex, troubling vision of life and death, a conduit of our own philosophical and religious struggles.
The plot of the The Exorcist is well-known to just about everyone. Chris MacNeil and her daughter are living in Georgetown while Chris is filming a new movie. The energetic and happy child, Regan, suddenly begins to change. Strange things begin to happen in the house - rustling noises are heard at night, objects seem to disappear and reappear in strange places, and Regan begins to complain about her bed shaking at night. When Regan's state of mind begins to deteriorate, Chris seeks medical help for her daughter, but the doctors, after a series of complete, agonizing tests, can find no evidence to support their theories of a condition brought about by a lesion in the temporal lobe of the brain. Regan continues to worsen, making wild animal noises, struggling with her caretakers with superhuman strength, cursing like a drunk pirate, speaking with several different voices, projectile vomiting a nasty green substance, claiming to be the devil himself, and - in what is probably the most shocking image of all - hideously violating herself with a religious icon. She eventually has to be strapped into bed for the protection of her as well as those around her. Desperately, the nonreligious Chris turns to the Jesuit priesthood for help, asking for an exorcism to be performed on her daughter. Father Karras studies the case, attempting to find a medical explanation for Regan's behavior even after he witnesses some extraordinary things in Regan's room and converses with the demon claiming to reside within her. In the end, Father Merrin, whom we met in a highly symbolic scene at the beginning of the book, comes to perform an exorcism, engaging once again in battle a demon he had defeated years earlier. The book concludes in a particularly strong, dramatic, and satisfying way.
The descriptions of Regan's behavior and increasingly disturbing actions are laid out in quite open and impacting ways here, but I think this aspect of the story is expressed much more effectively in the movie. It's one thing to read about projectile vomiting, a head spinning completely around, and the other physical manifestations of Regan's condition, but it's something else to actually watch it presented visually onscreen. The book's main strength, in my opinion, comes in the form of the character of Father Karras. The novel provides much deeper access into the mind and soul of this tragically troubled character, and herein is to be found the true heart of the book. The exorcism itself does not take center stage the way it does in the film. Despite all of its religious and demonic attributes, I believe Peter William Blatty's novel is a deep look inside the heart of man as he attempts to make sense and keep the faith in the face of the sometimes revolting human condition.
Those who have seen the movie will benefit greatly from a reading of Blatty's novel. There are a number of sub-plots covered only in these pages, and much of the symbolic and quite subtle aspects of the harrowing drama are not captured in the film at all (or are awkwardly included in the form of symbology that the casual viewer may not notice or recognize). It is interesting for me to ponder why so many find The Exorcist a truly frightening reading experience while I really do not. Perhaps those who are not religious have never really examined pure evil as straightforwardly as they are forced to in the form of this possessed child. In any event, I believe the horror many feel at this undeniably gripping and disturbing story comes not from a vision of the events so vividly described herein, but rather from a consciousness of the changes and perhaps fears wrought upon their own heart and soul by the implications of the experience.The Exorcist Overview

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