The Guitar Handbook Review

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The Guitar Handbook ReviewWhen I first started playing the guitar 2 decades ago, a friend had a copy of an earlier edition of this guide and he gave me the book to use while I was getting started. Using the book, and I mean really reading the book thru thoroughly, I learned a whole lot about the instrument itself and the music that could be produced from the guitar and that really helped my performance as I developed on the instrument.
The book begins with guitar innovators, those guitar players who have had a serious impact on the way the instrument is played, etc. This section was actually fun to read and was quite informative about several guitar players who had influenced my own playing.
The following two sections of the book cover acoustic and electric guitars. These sections detail how each instrument (acoustic and electric) are put together, how to set the action, the various types of each style of guitar, how pick-ups are put together, etc. This is a helpful and technical section which instructs the reader on the ins and outs of the make-up of his instrument.
From here, the book moves into actually playing the instrument. It begins with the beginner, teaching good practicing habits, what to practice, improving fingering, chord progressions, reading tablature, tuning, action, right and left-handed techniques, etc. Then this section moves into chords (with photos), three-chord theory, flatpicking and strumming and other various fingerstyles, barre chords, and even how to transpose songs. Inside this section there is also a sub-section on rhythm guitar, setting tempo, time signatures, using chord charts, time values, etc. Essentially everything you would need to know to be a well rounded guitar player is included (including slide guitar).
The final section deals with the maintenance of the guitar. This section teaches the reader/player all the things that are needed to know about the most difficult maintenance aspects such as how to customize an instrument, to the easiest such as changing your strings. For the electric guitarist, there is a guide to guitar electronics which includes pictures and lists of all the tools you will need, instructions on reading wiring diagrams, actual charts and photos of how an electric guitar is wired, pick-up circuits, etc.
Finally, at the back of the book is a fairly extensive chord dictionary with pictures of how each chord is fingered. This dictionary is very helpful to the player when trying to find the same chord but to know where it is elsewhere on the fret board. Overall, what can I say but that no guitar player, regardless of your experience should be without this definitive guidebook.The Guitar Handbook Overview

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Fretboard Logic SE - Special Edition The Reasoning Behind the Guitar's Unique Tuning + Chords Scales and Arpeggios Complete (Volumes I and II Combined) (Fretboard Logic Guitar Method Ser) Review

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Fretboard Logic SE - Special Edition The Reasoning Behind the Guitar's Unique Tuning + Chords Scales and Arpeggios Complete (Volumes I and II Combined) (Fretboard Logic Guitar Method Ser) ReviewLearning guitar is an odd process. You're supposed to practice, practice, practice. You learn chord shapes. You have lessons. You dissect solos note by note. There appears to be no master plan. Somehow, through a variety of methods, you're supposed to learn. Eventually, you're assured, by some means you're not aware of yet (osmosis?), you'll "get it."
This book is the "it" you're supposed to get.
Far too many books assume that the common methods work. Many an aspiring student has put the guitar in the closet in frustration at something that doesn't address the basic question - What note do I play next?
Bill Edwards has taken the idea of positional relationships to its highest point. If I play a C chord with a barre at the eighth fret, where will I find a convenient F and G position? What shape will I need to play, and what fret should I start from?
This seems to me to be a basic question yet it hardly gets a mention in most books. It seems that if you practice long enough and don't get bored to death, you'll know this.
Bill Edwards shows that the five major chord shapes (C, A, G, E, and D) follow as you move up the fretboard, so you quickly learn that if you're playing a certain shape at a certain fret, the chords you're going to need will be in a specific other shape a specific number of frets away.
This is independent of what key you're playing in, so if you start a 12-bar blues with a A-shape, you can drop down a couple of frets and play an E-shape for the next chord.
I've made it sound far more complex than it is. You'll need the book - make no mistake - and in just a few hours you'll have learned a huge amount of useful stuff.
But this is just the first seventeen of over a hundred pages. The idea of positional relationships is used to describe scales and then the pentatonic blues scale, so you can build solos and know immediately where the next notes are.
Fretboard Logic pulls all the useful stuff from other learning methods together. It shows you *why* you play the notes you do.
I was suspicious of the other reviews here (mainly reprinted from the book's cover), because they sounded so good they couldn't be true. Then I saw the book recommended on the Fender Forum, so I decided to take a chance.
Yeah, you still have to practice. Your fingers won't get supple until you do. But imagine practicing where you're constantly trying something new, and where the musical inspiration flows. That's what you'll get if you study Fretboard Logic.Fretboard Logic SE - Special Edition The Reasoning Behind the Guitar's Unique Tuning + Chords Scales and Arpeggios Complete (Volumes I and II Combined) (Fretboard Logic Guitar Method Ser) Overview

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