Everything Beautiful Began After: A Novel (P.S.) Review

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Everything Beautiful Began After: A Novel (P.S.) ReviewI fell in love with Everything Beautiful Began After after having just read the Prologue and the rest of the book did not disappoint. Simon Van Booy's beautiful poetic language is stunning and his descriptions require the reader to pause and take a deep breath to take them in. The characters are so well developed that one cannot help but love and care deeply for them. It is fascinating to watch as they argue over the existence of fate while we quietly witness fate take its toll on each of them. There is a sense of unpredictability, an unknowing that keeps the pages turning. Van Booy's use of different points of view also adds depth to this novel. It was a genius way to create various space and distance between the reader and the characters. The cover and deckle-edged paper provides the perfect package for such a beautiful and tragic love story.

The ending felt a bit rushed to me and things seemed to be tied up a little too perfectly in the end. This may be that I just didn't want the book to end. I was invested in these characters and wanted to spend more time with them. However, at over 400 pages, I understand Van Booy had to end the book at some point. Maybe he will write a sequel! If you want to be swept away into a beautiful love story with writing that literally takes you there as a silent witness to the unfolding lives of the characters, this book is definitely for you. I wanted to continue inside the world Van Booy created with this novel so much that I actually got up in the middle of the night, unable to sleep because I couldn't stop thinking about it, and continued reading until it was finished.
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Rules of Civility: A Novel Review

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Rules of Civility: A Novel ReviewIf a novel could win an award for best cinematography, this would take home the gold. Amor Towles's sophisticated retro-era novel of manners captures Manhattan 1938 with lucid clarity and a silvery focus on the gin and the jazz, the nightclubs and the streets, the pursuit of sensuality, and the arc of the self-made woman.
The novel's preface opens in 1966, with a happily married couple attending a Walker Evans photography exhibition. An unlikely chance encounter stuns the woman, Katey--a picture of a man staring across a canyon of three decades, a photograph of an old friend. Thus begins the flashback story of Katey's roaring twenties in the glittering 30's.
Katey Kontent (Katya) is the moral center of the story, an unapologetic working girl--more a bluestocking than a blue blood-- born in Brighton Beach of Russian immigrant parents. She's an ambitious and determined statuesque beauty à la Tierney or Bacall who seeks success in the publishing industry. She works as hard by day as she plays at night. Her best friend, Eve (Evelyn) Ross, is a Midwest-born Ginger Rogers /Garbo character mix, with jazz cat spirit and a fearless, cryptic glamor. She refuses daddy's money and embraces her free spirit:
"I'm willing to be under anything...as long as it isn't somebody's thumb."
Katey and Eve flirt with shameless savoir-faire, and are quick with the clever repartees. They will kiss a man once that they'll never kiss twice, and glide with effortless élan among all the social classes of New York. Moreover, they can make a few dollars stretch through many a martini, charming gratis drinks from fashionable men. With their nerve and gaiety, the two would be equally savvy at Vanity Fair or the Algonquin Round Table, or in a seedy bar on the Lower East Side.
Eve and Katey meet the sphinx-like Tinker Grey on New Year's Eve, 1937, at the Hotspot, a jazz bar in Greenwich Village. Tinker's métier is Gatsby-esque--an inscrutable, ruggedly handsome man in cashmere, a mysterious lone figure with an enigmatic mystique. The three become fast friends, but as with many triangulating relationships, a hairline rivalry sets in. Then a cataclysmic tragedy shatters the cool grace of their bond, and their solidarity is ruptured.
Towles is spectacular at description and atmosphere, keeping a keen camera's eye on the city with a polished pedigree of writing that is rare in a debut novel. A smoky haze envelopes the streets and clubs and buildings, which the reader can't help surveying in all the rich colors of vintage black and white. The writing is dense, yet fluid and ambient, rich as a contralto, and cool as a saxophone. Tendrils of Edith Wharton flow through, as well as Fitzgerald, and echoes of Capote's Holly Golightly.
At times, the lush descriptions threaten to eclipse the story, and the characters recede. This is a book of manners, so the action resides in the conflict between individual ambitions and desires and the acceptable social codes of behavior between classes. However, the middle section stagnates, as one character hugs most of the narrative in repetitive days and nights, the psychological complexities dimming. It loses some steam as the taut thrill of the first half wanes, but an understated closure recharges it again.
Overall, the beauty of the novel endures, and the sensuality of the prose lingers. The reader is also edified on the origin of the title, and the author folds it in neatly to the story. The characters are crisp and contoured, delightful and satisfying, even if one left the stage a bit too soon. This is one male writer who finesses his female characters with impressive agility and assurance.
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