Showing posts with label life. Show all posts
Showing posts with label life. Show all posts

Report from Engine Co. 82 Review

Report from Engine Co. 82
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Report from Engine Co. 82 ReviewI was in seventh grade in 1978 when I first read Report From Engine Co. 82, and no book I've read since has ever had as profound an effect on me. Dennis Smith and his brother firefighters on Intervale Ave. inspired me and, I'm sure, many others to become firefighters. The book is gripping and "in-your-face", taking you into some of the most dangerous and frustrating working conditions imaginable.
I just re-read the book, and doing so rekindled the respect and admiration for the heroes of the FDNY that it originally instilled in me 22 years ago. Recently a friend and I visited "The Big House" in the South Bronx, talked with the firemen, took pictures of the neighborhood, and brought Smith's book to life. The pull box at Charlotte St. & East 170th St. made infamous by Smith's book has been replaced by an ERS box; the crumbling, burning tenaments replaced by suburban looking homes. All that remains of the horrors that took place there in the seventies is the memories of daily heroism performed by the men of Engines 82, 85, Ladder 31 and 712 perpetuated by Smith's book.
Now a teacher, I'll be sharing Report From Engine Co. 82 with my class this year. I hope that with the use of this book, I can inspire the same respect, compassion, and concern for human life in my students that Smith inspired in me so long ago.
You don't have to be a firefighter or a "wanna-be" to love Report From Engine Co. 82. Treat yourself to it as soon as you can.Report from Engine Co. 82 Overview

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What I Wish I Knew When I Was 20: A Crash Course on Making Your Place in the World Review

What I Wish I Knew When I Was 20: A Crash Course on Making Your Place in the World
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What I Wish I Knew When I Was 20: A Crash Course on Making Your Place in the World ReviewReorient your brain and body to creativity and innovation!
This book will make you want to become an innovator so bad.I'm a 20-year-old Stanford sophomore who learned what Tina wished she had known when she was 20.As a freshman, I took her class "Creativity & Innovation," mainly offered for graduate students. When, on the first day, Tina said "Creativity can be learned," I was skeptical. I simply thought her class would be no different from typical college classes with competitive individuals, problem sets, and grade curves.The class was given the first assignment to come up with the best and the worst business ideas. My teammates and I were enthusiastic about developing fantastic ideas and scribbled total nonsense for the bad ideas when the time was running out.I was baffled, however, when Tina ripped up all sheets of paper with the good ideas and gave us the bad idea submitted by another team. The idea was "selling used hypodermic needles." We laughed out loud at how terrible it was until three seconds later when we all turned silent and questioned, "Wait, is this really the worst idea?" We ended up coming up with a really clever plan that involved selling used needles to doctors who need small tissue and blood samples for their experiments. We even felt as if we could start selling used needles right away! Besides learning that it is always worthwhile to question our assumptions, my classmates and I were no longer competitors but awesome business partners!Tina taught us that there are no bad ideas and how to redefine problems in different ways. In following assignments we got to redesign the cover for a large national magazine (and they even used our idea!); I got to try on a 3-carat diamond ring in a private salon at Tiffany's as part of a study on consumer experiences; and we set up the entire frozen yogurt shop into the classroom as part a class project on innovative companies. Unlike other books of the sort, Tina's book avoids ambiguous principles embellished with fancy words but rather suggests ready-to-go strategies that you can implement in your daily life right away. Furthermore, she gives you good examples, that stimulate you and give you the nerve for action. You will end up being an active "doer" after reading this book. (For instance, I employed her methods to reinvent my messy closet!)I'm truly happy that now the whole world can share her insights on creativity and innovation. Her book is a "crash" course, yet a very thorough, inspirational guide on how to change yourself and the world! I hope you all share the special excitement that I had while learning from her. Although I love the title, as you read this book you will see that it is never too late and there's no time to hesitate to become innovative.What I Wish I Knew When I Was 20: A Crash Course on Making Your Place in the World Overview

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Daytripper Review

Daytripper
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Daytripper ReviewDAYTRIPPER is a mysterious little book. I read the first three issues when they came out, and though I was absolutely intrigued by what was happening in the story, the way each installment came and ended without explanation made me not want to have to work through the serialization. Rather, I wanted to get it all at once. It's a book where the payoff is going to require some faith, and where the individual moments matter to the cumulative whole. I didn't want them lost in the gaps between.
This creator-owned comic is by the Brazillian twins Fábio Moon and Gabriel Bá, who have electrified the world of graphic literature over the last several years with their work together, separate, and in collaboration with others. DAYTRIPPER is their first truly substantial work as a solo team. It tells the story of Brás de Oliva Domingos, but it does so in a fractured fashion. Time bends here, the narrative pieces are scattered. When we first meet Brás, on his 32nd birthday, he is an obituary writer on the way to see his father, a famous novelist, receive a lifetime achievement award. In chapter two, he is 21 and seeing the world. The youngest we see him, not counting the oft repeated tale of his birth--a blackout baby who emerges into the darkness like the light, or even life, itself--is at age 11, the oldest age 76. We jump through time to watch his romances and failures, his family benchmarks and even the lows of an important friendship. Each chapter of DAYTRIPPER has a definite end, finite in its way, and one which I shan't reveal here, but you'll discover it soon enough. Fittingly, only the very last ending deviates from the pattern.
It takes a while to get an explanation as to what is happening. The book is a string of second chances and missed opportunities--though never squandered ones. For as spectacular as some of the failures, they never come with a sense that someone wasn't trying. It's more that things just don't turn out as expected. It's why you never wait to go for whatever needs going for, events may turn before you get the opportunity to seize it. It's at the end of the eighth chapter when we start to get a sense of what it all means, how Brás' each and every action creates a reaction, and DAYTRIPPER is the study of that resonance. I could have done without the penultimate entry, but that just might be personal taste. The dreamy ninth chapter is the only time where I feel the book has to strain for its mood, the only time the creators are trying to create the feeling of strange wonder that so naturally blossoms in the rest. I feared it was the last chapter, actually, and was frightened that the whole thing would fall apart.
Thankfully, we had one more step to go, and honestly, had I jumped from eight to ten, from age 47 to the big 76, DAYTRIPPER would be just about perfect. It seems a minor complaint, however, like whining that an otherwise spectacular car race is ruined because no one crashed during the second-to-last lap. Plus, that eighth chapter also has some of the most beautiful artwork in the comic. The duo's impressionistic linework and Dave Stewart's striking, painterly coloring really come alive when let loose to roam the unbridled realm of imagination. Then again, that seems so wrong to say, because it's very much alive throughout. DAYTRIPPER isn't a comic where you ever wonder why its creators opted for this particular medium. Every watery ink scratch undulates with passion for the form. Perhaps it's because they are twins that Bá and Moon manage to inspire two diametrically opposed reactions at the same time. Every panel of DAYTRIPPER compels you to stop and stare at the beauty of the drawing while also pushing you on to the next. You want to stop and smell all the roses, and yet you must go forward, you have to see the ways the scenes play out.
In that sense, while reading the book, we are also living the lesson that Brás must learn. Don't let any of the details of this existence pass you by without noticing them, but also don't ever accept those details as being the last. There is always more to be seen just out of frame.Daytripper Overview

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