Snowdrops: A Novel Review

Snowdrops: A Novel
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Snowdrops: A Novel ReviewOn the surface, A.D. Miller's fascinating debut novel Snowdrops has all the ingredients of a devastating tale of morality gone awry. Set brilliantly in the heart of Moscow and its environs, the wintry setting provides a background to a world that exists unlike any other. And Miller's strength is that he has an insider's knowledge of this strange, but distasteful, land where bureaucratic corruption, decadence, and petty fraud coexist with beauty, idealism, and cultural promise. Okay, so maybe it's not a world "unlike any other" under those terms--but there's just something so inherently intriguing about the openness of Moscow's decadence that makes it an undeniably appealing "character" in Miller's story. And, in fact, Moscow is the most delineated and complex "character" that Miller has described. The human protagonists, however, are all rather chilly. The book unfolds as a confessional with British lawyer Nick Platt recounting, via writing, his past indiscretions to his unseen new fiance.
Set in the early 2000's, Snowdrops introduces Platt--middle-aged and somewhat isolated in a hedonistic new city. He spends his days officiating vaguely defined business enterprises with fairly unsavory characters. He's just putting in his time, not asking questions, and enjoying (however reluctantly he paints it) the sins that the city's nightlife has to offer. His days start to brighten, however, as he rescues two young ladies from a mugging. They begin a friendship that becomes more intense. Soon Platt finds himself in a full-on romance with one of the girls. And his devotion is seemingly blind to the realities of the relationship. When they solicit his legal expertise in a real estate transaction involving their aunt, Platt acquiesces compliantly. But you know, from the first pages of Snowdrops, that this tale is headed to dark territory--the only mystery is how willingly Platt will become a part of that darkness.
Despite being referenced as somewhat of a psychological thriller (The Talented Mr. Ripley and Gorky Park are thrown in as comparison points by the publisher), Snowdrops is indisputably a character study. And, herein, (for me) lies the problem. As everything in Platt's confession is told through a rather gauzy reinterpretation, the supporting and peripheral characters can only be marginally defined through his eyes. And his utter complacency in his own life leads to a true lack of character development for everyone else in the novel. But that's okay and, in fact, I'm positive that was Miller's intent. And I love the idea, in theory. But that leaves Platt as the emotional center of Snowdrops and, unfortunately, that's where and why the book seemed so chilly and detached in the long run. Platt's confession lacks drama and conviction. He states the facts of what happens without seeming to be invested in anything.
Snowdrops, without a doubt in my mind, could have been a powerful and devastating tale of moral ambiguity. Platt's delusion while the events were transpiring might have been offset in his telling, but that's not what Miller wants to convey. Platt was seduced and intoxicated by his experience in Moscow and it was worth ANY price. That's clear--and that tone, which is fully intentional, kept me from ever really connecting with Platt. At the end, for me, Platt remains a curiously detached cipher (like the aforementioned Ripley, but Ripley's exploits were cunningly treacherous and he was an active participant in his own story). Snowdrops then seems like a novel with no real center--a passive protagonist who is still dishonest with himself. And, ultimately, that's why Moscow stands as the most intriguing aspect and most fully developed character that Miller's world presents. KGHarris, 1/11.
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