Showing posts with label british. Show all posts
Showing posts with label british. Show all posts

Miss Pettigrew Lives for a Day (Persephone Classics) Review

Miss Pettigrew Lives for a Day (Persephone Classics)
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Miss Pettigrew Lives for a Day (Persephone Classics) ReviewWinfired Watson's little 1938 fantasy has become the bestelling reissue for the terrific Persephone Books imprint in the UK, and its not hard to see why. Basically a Cinderella story set during the 30s, Watson's novel concerns a dowdy governess sent by mistake by her agency to the home of a glamorous and dithering nightclub singer, who comes to rely upon Miss Pettigrew to straighten out her love life. Miss Pettigrew not only rises to the challenge (much to her own surprise), but undergoes a makeover and finds some romance for her own life as well. While undeniably slim (and purposefully so), the novel is just about irresistible: it plays upon the same fantasy as Jane Austen's MANSFIELD PARK, the fantasy of being not only loved but also needed. Curiously, the trappings of glamour in this novel come not from the world of the wealthy and titled (as per usual in British fiction from this era, as in the novels of Waugh and Nancy Mitford) but from a world envisioned in American film: the world of night clubs, self-made men, and cocaine-dabbling gigolos.Miss Pettigrew Lives for a Day (Persephone Classics) Overview

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The Understudy: A Novel Review

The Understudy: A Novel
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The Understudy: A Novel ReviewI'm a fan of British humor and enjoy comic romances, so I had high hopes for this book. It comes up a little bit -- but a decisive bit -- short.
The book has a promising start, our hero, Stephen McQueen (with a ph), is a struggling actor whose specialty is playing dead bodies in television police dramas. That sounds like a funny starting point, right? Well, that's the high point. His subsequent struggles, both romantic and professional, are more pathetic than funny, and more boring than either. One after another the book sets up (admittedly with considerable skill) potentially funny or redeeming scenes--the party thrown by the star he is understudying, visits with his ex-wife, the star's wife, his daughter, his agent, acting jobs as a Squirrel, and so forth. Each time, the set up is unavailing--the humor is just short of funny and the positive change or transformative event in the hero's life so necessary to such a story falls just short of happening. The book and its ultimately unappealing hero just keep plodding along. Ultimately I felt like Charlie Brown, with the author playing Lucy--holding out the football of the conventions of a comic romance, then pulling them away at the last second. Spare yourself.The Understudy: A Novel Overview

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The Most Of P.G. Wodehouse Review

The Most Of P.G. Wodehouse
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The Most Of P.G. Wodehouse ReviewWodehouse's quintessentially British slapstick either tickles you or it doesn't. If you think it will but you aren't sure, this book is for you. (Personally I can't get enough of that "I say, old bean" stuff, despite its irremediable white-maleness.) But the homogeneity of the stories isn't going to win any converts.

Many of the stories are written according to the following formula: (A) boy meets girl; (B) formidable relative or rival stands between boy and girl; (C) boy overcomes all obstacles to successfully obtain girl unless boy happens to be Freddie Widgeon. The remainder of the stories will appear to follow basically the same formula, if you substitute "money" for "girl." The journey from points (A) to (C) inevitably involves hilarious parodies of proper upper-class British life - situations like gallopping over the English moors chased by angry farmers, engaging in polite negotiations with a gorilla, or being fixed under the steely eye of any number of powerful relations.

This anthology brings together about a half-dozen representative stories each from a number of areas (e.g. the Drones Club, Mr. Mulliner, Ukridge, and Jeeves stories), as well as a short novel called "Quick Service." If you are a hard-core Wodehouse fan, it might be advisable to skip this sampler and just buy the original books in order to avoid overlap.The Most Of P.G. Wodehouse Overview

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I, Spy? (Sophie Green Mysteries, No. 1) Review

I, Spy (Sophie Green Mysteries, No. 1)
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I, Spy (Sophie Green Mysteries, No. 1) ReviewThis is a great start to this fun new series. Sophie Green is a young British single working a boring job that she keeps wanting to quit. She works in an airport in check in and has a crush on one of her hot Swedish co-workers, while being intrigued by a hot Italian co-worker. Being in the right place at the wrong time leads to a series of events that have her being picked for a super secret spy group. She maintains her cover to her friends and family while trying to save the world and her cat, Tammy. She is 5' 10'' of blonde bombshell, but doesn't seem to have any self confidence. This story has it all, mystery, romance, steamy love scenes and humor. Can't wait to see what happens next!I, Spy (Sophie Green Mysteries, No. 1) Overview

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Snowdrops: A Novel Review

Snowdrops: A Novel
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Snowdrops: A Novel ReviewOn the surface, A.D. Miller's fascinating debut novel Snowdrops has all the ingredients of a devastating tale of morality gone awry. Set brilliantly in the heart of Moscow and its environs, the wintry setting provides a background to a world that exists unlike any other. And Miller's strength is that he has an insider's knowledge of this strange, but distasteful, land where bureaucratic corruption, decadence, and petty fraud coexist with beauty, idealism, and cultural promise. Okay, so maybe it's not a world "unlike any other" under those terms--but there's just something so inherently intriguing about the openness of Moscow's decadence that makes it an undeniably appealing "character" in Miller's story. And, in fact, Moscow is the most delineated and complex "character" that Miller has described. The human protagonists, however, are all rather chilly. The book unfolds as a confessional with British lawyer Nick Platt recounting, via writing, his past indiscretions to his unseen new fiance.
Set in the early 2000's, Snowdrops introduces Platt--middle-aged and somewhat isolated in a hedonistic new city. He spends his days officiating vaguely defined business enterprises with fairly unsavory characters. He's just putting in his time, not asking questions, and enjoying (however reluctantly he paints it) the sins that the city's nightlife has to offer. His days start to brighten, however, as he rescues two young ladies from a mugging. They begin a friendship that becomes more intense. Soon Platt finds himself in a full-on romance with one of the girls. And his devotion is seemingly blind to the realities of the relationship. When they solicit his legal expertise in a real estate transaction involving their aunt, Platt acquiesces compliantly. But you know, from the first pages of Snowdrops, that this tale is headed to dark territory--the only mystery is how willingly Platt will become a part of that darkness.
Despite being referenced as somewhat of a psychological thriller (The Talented Mr. Ripley and Gorky Park are thrown in as comparison points by the publisher), Snowdrops is indisputably a character study. And, herein, (for me) lies the problem. As everything in Platt's confession is told through a rather gauzy reinterpretation, the supporting and peripheral characters can only be marginally defined through his eyes. And his utter complacency in his own life leads to a true lack of character development for everyone else in the novel. But that's okay and, in fact, I'm positive that was Miller's intent. And I love the idea, in theory. But that leaves Platt as the emotional center of Snowdrops and, unfortunately, that's where and why the book seemed so chilly and detached in the long run. Platt's confession lacks drama and conviction. He states the facts of what happens without seeming to be invested in anything.
Snowdrops, without a doubt in my mind, could have been a powerful and devastating tale of moral ambiguity. Platt's delusion while the events were transpiring might have been offset in his telling, but that's not what Miller wants to convey. Platt was seduced and intoxicated by his experience in Moscow and it was worth ANY price. That's clear--and that tone, which is fully intentional, kept me from ever really connecting with Platt. At the end, for me, Platt remains a curiously detached cipher (like the aforementioned Ripley, but Ripley's exploits were cunningly treacherous and he was an active participant in his own story). Snowdrops then seems like a novel with no real center--a passive protagonist who is still dishonest with himself. And, ultimately, that's why Moscow stands as the most intriguing aspect and most fully developed character that Miller's world presents. KGHarris, 1/11.
Snowdrops: A Novel Overview

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