Detective Inspector Huss Review

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Detective Inspector Huss ReviewFans of Henning Mankell's Kurt Wallander series will be delighted with this first entry in fellow Swede Tursten's procedural series. Set in Goteborg, the book stars Det. Inspector Irene Huss and her colleagues in the Violent Crimes Unit as they investigate the murder of a prominent and very wealthy businessman. Like John Harvey's Charlie Resnick series, the story's about both the crime and the lives of those investigating it, with similarly satisfying results. The crime itself is an exceedingly tangled one, with loads of suspects, a locked door, and many complications and other crimes cropping up as the story progresses. That said, the primary culprit can be guessed almost right from the start, even if the motive and method for the murder cannot. A great deal of the novel's success is attributable to Tursten's detailed step-by-step rendering of the patient police work that leads to the resolution.
The rich and famous milieux of the murder is nothing notably new, nor is the connection to a sleazier world of drugs and sex. However, one thing that American readers may not quite understand is the role of motorcycle gangs in Scandinavia. In the US, the image of the Hell's Angels have been considerably softened to one of benign oversized 50-somethings cruising around on expensive bikes in a now-benign subculture. However, in Scandinavia (and Canada, see John Farrow's thriller City of Ice), the Hell's Angels and other motorcycle gangs are directly involved in high-level drug trafficking and violent crime.
Although the crime and its unraveling could be transposed to a US setting without a great deal of difficulty, the book has much to offer. Most importantly, the characters, from the police to suspects and witnesses, all are exceedingly well-drawn and believable. Det. Insp. Huss is especially likable as a 40ish woman in a male-dominated profession filled with casual sexism. Her coworkers are each intriguing, from enigmatic Hannu, to wheezing supervisor Andersson, bright young Brigitta, nasty Tommy, arrogant Medical Examiner Stridner, and the many technicians who assist the investigation. Huss's personal life adds great depth and sympathy to her character, especially the subplot involving one of her daughter's flirtation with neo-Nazism. Ethnicity comes into play as well, with several characters having Finnish backgrounds that render them quite alien to the Swedes. The pacing is quite good considering the book's length and complexity, as is the translation, which is exceedingly smooth and readable.
This is an engaging debut, and I eagerly look forward to the next in the series.Detective Inspector Huss Overview

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Miss Pettigrew Lives for a Day (Persephone Classics) Review

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Miss Pettigrew Lives for a Day (Persephone Classics) ReviewWinfired Watson's little 1938 fantasy has become the bestelling reissue for the terrific Persephone Books imprint in the UK, and its not hard to see why. Basically a Cinderella story set during the 30s, Watson's novel concerns a dowdy governess sent by mistake by her agency to the home of a glamorous and dithering nightclub singer, who comes to rely upon Miss Pettigrew to straighten out her love life. Miss Pettigrew not only rises to the challenge (much to her own surprise), but undergoes a makeover and finds some romance for her own life as well. While undeniably slim (and purposefully so), the novel is just about irresistible: it plays upon the same fantasy as Jane Austen's MANSFIELD PARK, the fantasy of being not only loved but also needed. Curiously, the trappings of glamour in this novel come not from the world of the wealthy and titled (as per usual in British fiction from this era, as in the novels of Waugh and Nancy Mitford) but from a world envisioned in American film: the world of night clubs, self-made men, and cocaine-dabbling gigolos.Miss Pettigrew Lives for a Day (Persephone Classics) Overview

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The Diary of Anais Nin, Vol. 1: 1931-1934 Review

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The Diary of Anais Nin, Vol. 1: 1931-1934 ReviewAfter decades of producing fiction that was rejected by mainstream readership and reviewers for being self-centered, exotic in prose, filled with psychological theory, and coterie in style, Anais finally found acceptance by integrating all of the above in this published version of her diary. Timing is everything, I suppose. The world of the 1930s-50s simply was not ready for her. The Aquarian generation of the 1960s was. When originally published this volume did not have a number in the title because no one thought it would sell enough to warrant a second volume. To the surprise of many, it would become the first in seven volumes - and then over 20 years later the unexpurgated versions of her diaries would be published, revealing that Anais was at the time having an affair with Henry Miller. Eventually this material would be fashioned into the movie "Henry and June" (which I highly recommend). It would also pave the way for the re-issue of many of Anais Nin's long since out-of-print earlier fiction.
Anais Nin began a letter to her father, on the ship that carried her, her mother and brothers, away from him, away from Europe and to New York City. The letter was never sent (her mother did not think it appropriate), but instead developed into a diary she would continue to keep for decades. In this volume we meet Anais Nin living just outside of Paris with her husband, banker Hugh Guiler (who is barely visible in the diary, a point of contention for many who did not know that this was at his request). She has just published her study of DH Lawrence and is about to meet Henry Miller and his fascinating wife June (Nin's descriptions of June are among the most beautiful portions of her work). Her father soon reenters her life. This is a very exciting time in her life!
But what have I listed above? Nothing but a pile of facts. Facts are often boring, and seldom poetic - two accusations rarely leveled against Anais Nin. It was only after submerging myself in the history of this volume that I came to realize this: the linear history of this diary does not really matter; the accusations that Anais Nin lied about her life are immaterial. Anais Nin had a beautiful way with words and she was a master of crafting an image, of creating a persona. She was not truly the person she portrays in this volume, which she edited with Gunther Stuhlmann. But this is a beautiful and unique piece of literature that paved the way for many future artists, particularly female writers (Alice Walker has praised her work as profoundly liberating, and I can't help but think Maya Angelou took a cue from Anais Nin's concept of the continuous autobiographical novel). I have come to believe that it is not the possibility that she lied about her life that has upset so many people (some of whom refer to this as a "liary"), but that a woman should have such control over her own portrayal all the while defying so many of society's conventions.
Anais Nin may not have truly been the woman she portrays in this or future volumes, but it is the woman she wanted to believe she was - wanted the world to believe she was. I find that quite revealing, as revealing as any diary should be.
Andrew OlivoThe Diary of Anais Nin, Vol. 1: 1931-1934 Overview

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Before We Were Free Review

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Before We Were Free ReviewThe Dominican Republic occupies the eastern two thirds of an island in the heart of the Caribbean Ocean called Hispaniola. Christopher Columbus claimed this island for Spain in 1492, and it is here that he later returned, died and was buried. Over the years the Dominican Republic has struggled for freedom and independence. They fought for their independence from the nation of Haiti, which lies on the western one third of Hispaniola, and they suffered through the dictatorship of General Trujillo. This book takes place during the last years of the Trujillo dictatorship, in 1960 and '61.
In this book you will meet a colorful cast of characters from many different cultures and backgrounds. First there is Anita de la Torre, the 12-year-old narrator whose life changes dramatically over the course of a few months. You will meet her familia, her parents, siblings, cousins, uncles and aunts, who all live together on the family island compound. As the unusual and dangerous circumstances unfold in the story, many of Anita's relatives are forced to flee their tropical home for the colder climate of New York City. The dictator's men are everywhere. Those who oppose the dictator are often "disappeared" by the men in black, never to be heard from again. Then there are the mysterious phone calls about butterflies and tennis shoes. And just who is "Mr. Smith?"
You will also meet Chucha, Anita's long-time nanny. She is one of the most interesting people in the story. Chucha is from Haiti, wears only purple clothing (even her underwear has to be dyed!), sleeps in a coffin, and has dreams where she can see the future. She also won't go into the Wimpy's Supermarket because the automatic doors have convinced her that the place is cursed and haunted. There is also blond-headed Sammy Washburn, the American consul's 12 year old son, whose family moves into a house at the de la Torre compound. Together, Sammy and Anita, explore the land of the compound - including the mysterious caves and the ancient cemetery. They encounter ghosts, and search for the treasure that was buried on the land many years ago.
Anita may not understand all the political things that are happening in her life, but she certainly feels the fear that permeates her family's life. Parts of the story are told from the perspective of Anita's diary, which provides an even more personal approach to the apprehension she faces. Her favorite uncle, Tio Toni, is missing. Have the secret police in the dark sunglasses, who drive the black Volkswagens, taken him? Has he been "disappeared"? Who is it that she sees lurking around his casita at night?
In spite of all the danger, Anita's parents make a decision to keep their family in the Dominican Republic and work for change. While Anita deals with all the frightening events that are unfolding in her life, she also struggles with growing up and her own personal endeavor for freedom. Before We Were Free is an exciting and fast moving book about growing up in a time of political intrigue and civil unrest. It is about decisions that must be made from the heart rather than the head and the courage that backs up such decisions. The fact that the author experienced much of what she writes in real life makes the story even more real and intriguing
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Under the Feet of Jesus Review

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Under the Feet of Jesus ReviewThe scorching hot midday sun beats down upon the bare necks of migrant Mexican workers, ready to do back-breaking work for meager wages. One of the characters of the story, Perfecto, observes the scene described in wonderful detail: clouds ready to burst like cotton plants, an old decaying barn nearby, and a silence interrupted only by the wisps of wind that ruffle the peach trees. As he observes these images, reality quickly sinks in: "The silence and the barn and the clouds meant many things. It was always a question of work, and work depended on the harvest, the car running, their health, the conditions of the road, how long the money held out, and the weather, which meant they could depend on nothing" (4). Set in the harsh, poverty-stricken world of the migrant Mexican worker, Under the Feet of Jesus, by Helena Maria Viramontes, is a story about a Latino family in California, trying to get by in a society that turns a cold shoulder to their every woe. As the characters endure hardship upon hardship throughout the book, the author's own ideology manifests itself in their slow loss of faith. Religion is no substitute for gritty human spirit in times such as these. By the end of the novel it seems clear that Perfecto's observation holds partly true: they can depend on nothing but themselves.
The novel centers primarily around Estrella, a young girl on the verge of womanhood, and her relationship with Alejo, another migrant worker of the same age. Throughout the story, the characters are confronted time and time again with hardships they must endure, each time further questioning their faith. After Alejo is poisoned by a crop duster and falls ill, the family takes care of him, spending what little money they have for his treatment. Alejo, no stranger to harsh reality in his life, bleakly ponders if this is some sort of punishment from God. As his condition deteriorates and things look grim, Estrella curses God, thinking He "did not care," and that now renouncing Him, she "was alone to fend for herself" (139). At the end of the novel, in a scene that perhaps represents Viramontes' ideology the best, Estrella is perched on a rooftop, "on the verge of faith," yet she does not let herself fall (176). She doesn't trust "blindly" anymore, instead choosing to "trust the soles of her feet, her hands, the shovel of her back, and the pounding bells of her heart" (175). In the end, Estrella has learned that it is her own strength she must trust in, not God's, to carry her through the hardships she faces.
Under the Feet of Jesus by Helena Maria Viramontes, is at its heart, a novel that reveals to the reader through vivid metaphorical detail, the harsh world of the Mexican migrant worker. The book pulls its characters away from grasping blindly at faith in a benevolent God, and brings them to take comfort in the only constant that is rooted in their ever-changing environment: their own spirit to go on. Perhaps reflective of Viramontes' own ideology, this novel provides an excellent view of the loss of religious faith, replaced by gritty human spirit that can overcome any hardship. Inspirational and beautifully written, I highly recommend Under the Feet of Jesus to anyone!Under the Feet of Jesus Overview

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Beauty Queens Review

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Beauty Queens ReviewAfter reading Going Bovine I just had to give Libba Bray another shot. Her thoughtful, funny, heartbreaking take on "Mad Cow Disease" intrigued and moved me. I couldn't believe her latest YA geared novel would revolve around Beauty Queens, of all things! But, she pulls it off splendidly!
Beauty Queens is one of those rare books that makes you laugh out loud AND keeps you on the edge of your seat the whole time. This book is a highly amusing and engaging story of beauty queens that crash land on an island. Bray has such a quirky way with her storytelling! I love that this felt like 'LOST' meets 'Miss America'.

There are a lot of slap-stick moments throughout that teens will enjoy and also a handful of more mature elements and issues that the girls face throughout the story and they all keep the reader glued to the pages and involved in the plot. I really enjoyed every second of this and that truly surprised me! The cover alone was enough to make me cringe but I have to admit that this was one truly enjoyable reading experience!
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Women Who Run with the Wolves Review

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Women Who Run with the Wolves ReviewReading the other customer reviews, I find it very interesting to see how different they are, and how different many of them are from my experience.
I was surprised to read the review on this page by the woman who believes we ought to read Jung first (or instead). My experience is the opposite; when I've picked up Jung's original works I've found them tough to follow, but this book I found very accessible and useful. I don't think the comparison between the Bible and a tv evangelist is at all fair. It's more like the difference between Strunk & White and the Oxford English Dictionary. The OED is wonderful, but Strunk & White is the one that is most likely to help you become a better writer.
Although I think of myself as a creative person, I tend to downplay that part of myself and to lead with my left brain, as it were. Reading this book I felt like I was being given a path to my inner wellspring. I felt that I had at last found water for a thirst I hadn't quite been able to identify until now.
This book is about one's inner life. It is not a how-to book, it's not political (except in the sense that the personal is political), and I didn't feel that it over-emphasized "what's wrong with you," as another reader put it. It does continually nudge one to think about what might be wrong: many many women are cut off from their own preferences, their own inner selves, because they feel pressured to conform with societal norms. Many societal norms are, in my opinion, quite damaging and inappropriate. It is very easy in American society to get the impression that women should be seen and not heard. Women are still encouraged to focus on how we look, to be compliant, to act ladylike and be nice even when we are being denigrated, and to stand by our man no matter what. We are encouraged to help others at the expense of our own happiness, and many many of us fall into this trap without even realizing it. We think it is normal to put ourselves last, and we lose touch with the shames and the fears that keep us from being happy, wiping the subject of happiness off the table with a dismissive hand as something that is too indulgent or not important.
This book helped me realize the ways in which I stand in my own way, and it gave me courage and inspiration.
The author is not only a Jungian analyst, but a storyteller. She is steeped in the traditions of storytelling from both the Latin and the Hungarian sides of her family, and I very much enjoyed the ways in which she uses this legacy of the storyteller as healer to make her points. I never thought of storytelling in this way before, but reading this book I found it to be true. (I feel that her stories have helped heal me.) I am a storyteller myself, of a sort, so for me the book was a kind of homecoming. If you have ever wondered why fairy tales seem so cruel and peculiar, you will find the answers in this book. Fairy tales have been mangled in the translation, but this author shows you where they came from and what they are really about.
While I am a huge believer in free-market capitalism, growth, business, and civilization (as opposed to back-to-nature Green-ery), I have tremendous concerns about the increasingly violent and impersonal nature of our society. This book shows you how to cultivate a healing, loving attitude toward the world without becoming a doormat--quite the contrary, it shows how love can give you more strength and power than you'll ever find in a boardroom.
Another review on this page criticized the book for not putting these issues into a broader context of one's life. It took twenty years for this author to distill her wisdom of storytelling and her knowledge of Jungian archetypes into this lovely, readable book. For me, that's quite an accomplishment. I'm more than willing to take it the rest of the way myself.Women Who Run with the Wolves Overview

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