Showing posts with label mermaids. Show all posts
Showing posts with label mermaids. Show all posts

Lost Voices (Lost Voices (Trilogy)) Review

Lost Voices (Lost Voices (Trilogy))
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Lost Voices (Lost Voices (Trilogy)) ReviewLost Voices is the first novel in a new series that is hauntingly reminiscent of Lord of the Flies and The Chocolate War. In this book, young girls find themselves transforming into mermaids during the most devastating and desolate times of their young lives. When overwhelmed with the horrors of humanity, these young girls from every walk of life release themselves to the power of the sea. Guided by the timahk--laws that govern mermaids--every mermaid joins a tribe and finds the love and family that they might have missed during their human days.
For Luce, one of the newest members of Catarina's tribe, joining the mermaids was the greatest thing that had happened to her in a long time. Luce was thrilled with her new life and the feelings of acceptance that she found in the other girls. But then Luce learns what it means to really be a mermaid. Sure, her voice is worthy of an angelic choir and her beauty surpasses anything on earth, but are these things really worth living with the guilt associated with being a siren? Luce is haunted by her eagerness to help the other mermaids sink ships and drown innocent humans. Then, Luce discovers a new power in her voice. She quickly learns that she can control the magic in her song, and change her death song into something more positive. Luce is overjoyed by her new knowledge, and wants to share her discovery with the other mermaids. This seems like a great idea, until Anais joins the tribe.
Anais is pure evil in the form of the most radiant mermaid Luce has ever seen. The other mermaids are quickly drawn to her and desire to please her malevolent whims. Despite her power over the other mermaids, Anais doesn't fool Luce. Luce can see the wickedness at the heart of the captivating mermaid and she wants to stop it. The timahk has always governed the behaviors of the mermaids, but not everyone is willing to follow the rules. Luce quickly learns that some rules have to be broken, and that she might have to stand alone. By the end of the novel, Luce is faced with a decision that will change the way mermaids conduct themselves forever. She is the key to restoring humanity to a race of beings that have been consumed with revenge for a long time.
Lost Voices is captivating from the first page! Sarah Porter's beautiful, descriptive language paints vivid pictures of beauty and pain. The sensuous descriptions of each character's emotion force the reader to bond with the girls in the book. As you read, you can feel Luce's pain in her memories, and the lust and greed of Anaise. The plot is fast paced, but perfectly developed; the tension that is building among the characters is felt on every page. As you read, you can't help but notice the struggles of humanity that are felt in some of the modern classics of our times (i.e. Lord of the Flies, The Chocolate War). This series will certainly be worthy of shelf space next to Mr. Cormier and Mr. Golding.
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Mermaid: A Twist on the Classic Tale Review

Mermaid: A Twist on the Classic Tale
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Mermaid: A Twist on the Classic Tale Review"The Little Mermaid" has never been my favorite fairy tale, and just about everything I disliked about it is magnified in this retelling: the clueless prince, the lovesick mermaid, and the weird sentimentality of it all. I keep hoping for a retelling that will make the fairy tale more palatable, but Carolyn Turgeon's Mermaid: A Twist on the Classic Tale isn't it.
The premise is interesting enough. Turgeon shifts the focus away from the prince (here a faceless womanizer whose appeal is a complete mystery) to the two princesses, one human, one mermaid. The story starts when Princess Margrethe sees a beautiful mermaid haul an unconscious man to the shore, kiss him, and silently beg Margrethe to help him. She does, and the prince mistakes her as the woman who saved him from drowning.
Stop me if this is sounding familiar. Shifting perspectives between Margrethe and the mermaid Lenia, the plot follows Andersen's story faithfully for most of the book, so there are few real surprises. Margrethe's fascination with both Lenia and the prince leads to a lopsided love triangle, complete with flowery but non-graphic sex, an incredibly vague war in an equally vague setting, and the inevitable awkwardness of French kissing a girl without a tongue. The scenes set in the underwater world have the potential to be interesting, but the most we really get out of them is an explanation of why mermaids don't go wrinkly from being in the water all the time (thicker, harder skin). Good to know.
The main problem isn't the flimsy plot that reunites the three characters, or even the stilted dialogue. It's the flatness of both central characters. Margrethe is your average mildly spirited princess, and Lenia is so bland that losing her ability to speak doesn't make much difference. It's hard to care what happens to either of them.
At about 250 pages, Mermaid is a quick read with occasionally pretty descriptions, but not a memorable one.
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